Video editing
Offline and online edit from rushes to final cut, with selects, structure, pacing and revisions to a defined round count.
At Infynix, we craft growth engines that inspire and endure.
Infynix Media produces brand films, modern UI/UX product designs, and 3D motion graphics that make your business look world-class. Outdated visuals and generic designs dilute trust and make it hard to stand out. Clean design and visual media build instant credibility and keep customers engaged.
OUR CAPABILITIES IN
Infynix Media
01
UI/UX & Digital Design
02
Brand Films & Commercials
03
3D Motion & Animation
04
Short-Form Social Video
How We Work
01
Measure
We audit your current systems, marketing, and funnels.
02
Design
We architect a custom strategy bridging your exact gaps.
03
Build
We deploy the tech, content, and pipelines required.
04
Launch
We seamlessly roll out the solution with zero downtime.
05
Re-Measure
We track every metric to ensure it meets our strict KPIs.
06
Scale
We optimize the winning channels to compound your returns.
Infynix Media in the UK is a post-production and editing service for brands, agencies and founders who are shooting more than they can publish. Editing, colour, sound, motion graphics, captioning, versioning and delivery, run remotely from our London office at Dagenham with the production teams in India and the UAE behind it. You shoot, or we arrange a local crew, and everything after the camera stops is ours.
The UK model is deliberately different from our India and UAE divisions, which run full production with their own crews. Here the constraint most clients have is not filming. It is the eight hours it takes to turn a shoot, a conference, a podcast recording or a phone full of clips into something publishable, in the formats each platform wants, on a schedule that holds. That is throughput, and throughput is a service, not a project.
We work with in-house marketing teams, agencies who need overflow capacity, founders producing thought leadership, event organisers, podcast producers and e-commerce brands across London, Manchester, Birmingham, Leeds and the rest of the UK, on a per-project or retainer basis, with turnaround measured in days.
Where a shoot is needed, we arrange it: a vetted local photographer or crew briefed by us, with the shot list built for the edit rather than the other way round, so the footage arrives already fit for the versions the campaign needs.
What comes back to you
Colour grading
Primary and secondary grading, shot matching across cameras and days, and LUTs so a brand looks consistent across every film.
Sound design and mix
Dialogue cleanup, noise reduction, music selection and licensing, sound effects and a broadcast-safe mix.
Motion graphics
Titles, lower thirds, animated logos, data visualisation and explainer sequences built to your brand system.
Captions and subtitles
Burned-in and sidecar captions, multi-language subtitle files, and the open captions that carry short-form on silent autoplay.
Versioning and delivery
One edit cut into every ratio and duration a campaign needs, exported to platform specification.
Photo retouching
Product, property and corporate retouching at volume, matched to a style guide.
Arranged shoots
Local UK photographers and crews booked and briefed by us, with the shot list built for the edit.
Turnaround and formats
| Deliverable | Typical turnaround | Formats supplied |
|---|---|---|
| Social cutdown | 48 hours | 9:16, 1:1, 16:9 with captions |
| Corporate or brand film edit | 5 to 10 working days | 16:9 master plus social versions |
| Event recap | 3 to 5 working days | 16:9 and 9:16, music licensed |
| Motion graphics explainer | 10 to 15 working days | 16:9, 1:1, transparent overlays |
| Podcast video edit | 48 to 72 hours | Full episode plus vertical clips |
| Subtitle pass only | 24 hours | SRT, VTT and burned-in |
Who this is for
In-house marketing teams
Teams shooting more than they can publish, where post is the bottleneck and a full-time editor is hard to justify.
Agencies needing overflow
Suites that are full and a client deadline that is not moving. White label, to your guidelines, under your name.
Founders and executives
Regular thought leadership that needs to look considered without consuming a day a week.
Event and conference organisers
Multi-day footage that needs a recap film fast enough to matter, plus clips for next year.
Podcast and series producers
Weekly episodes needing a consistent edit and the vertical clips that grow an audience.
E-commerce and D2C brands
Product video at volume, versioned per SKU and per platform, on a predictable monthly cadence.
How we work together
Per project
A defined deliverable with a fixed scope and a set number of revision rounds.
Monthly retainer
A fixed block of post-production hours each month with priority turnaround. Most clients publishing weekly settle here.
White label for agencies
We work under your brand, invisible to your client, with NDAs signed before any account is discussed.
Rescue and recut
Existing footage or a stalled edit that needs finishing. We audit what exists and say honestly whether it is salvageable.
Why post-production is a remote service
Post-production stopped requiring everyone in one room somewhere around the point that proxy workflows and cloud review became normal. What a Soho edit suite charges for is largely the building, the machine and the fact that you are physically present while someone else does the work. Footage uploads to a shared workspace, cuts come back for review with timecoded comments, and the editor is wherever the editor is. The result is the same film at a fraction of the overhead and with far more capacity available on a Thursday afternoon.
Our editors work across London, Kochi and the UAE, which means a cut requested at five in the afternoon in Manchester is often waiting in the review link the next morning.
Shared workspace
Upload footage, review cuts with timecoded comments, approve.
Overnight capacity
Editors across three time zones, so the day is longer than yours.
No suite overhead
You pay for editing, not for a building in Soho.
Version control
Every cut, comment and approval on record.
Cut for the platform, not cropped for it
The failure mode of most UK brand video is one landscape master, centre-cropped into a vertical that cuts off the subject, with a title nobody can read on a phone and no captions on a feed where most people watch muted. Each platform has its own pacing, safe areas, duration and caption style, and an edit built for one does not survive being squeezed into another.
We plan the versions before the first cut: which platforms, which durations, which ratios, which captions, and then edit each deliberately from the same material. The hero film, the fifteen-second paid cut, the vertical with open captions and the square for the feed are all first-class, not afterthoughts.
Version plan first
Platforms, durations and ratios agreed before editing starts.
Framed deliberately
Vertical cuts reframed shot by shot, not centre-cropped.
Captions as standard
Open captions on every social version.
Platform specification
Exported to what each platform actually wants.
Consistency across a year of publishing
A brand that publishes weekly is judged on whether the eighth film looks like the first. Consistency comes from a documented system: a grade and a LUT matched across cameras and days, a title and lower-third package, caption styles, music direction, and an archive where the source material and project files live so nothing is rebuilt from scratch. We set that up in the first month of a retainer and hand it over, so the brand is never locked to one editor.
The same system lets agencies plug us in as overflow without their client noticing a change of hands.
Brand grade
A LUT and matching so every film looks like the same brand.
Template package
Titles, lower thirds, captions and end cards.
Organised archive
Source media and projects handed over and findable.
Never locked in
Everything in your name and usable by any editor.
When a shoot is needed
Some briefs need new footage. We do not run UK crews of our own and we say so. What we do is arrange the shoot: a vetted local photographer or videographer, briefed by us with a shot list built from the version plan, so the footage arrives already fit for the edit. For clients with offices in India or the UAE, our own crews there shoot and the UK team cuts. For phone footage, we brief the client on what to capture and how, which is often all a founder or a small team needs.
Being honest about this is cheaper for the client than pretending: the shoot is priced as a shoot, the edit as an edit, and neither subsidises the other.
Arranged local crews
Vetted UK photographers and videographers booked and briefed by us.
Shot list from the edit
Footage captured for the versions the campaign needs.
Overseas offices
Our own crews in India and the UAE where the client has a presence there.
Phone footage briefed
Guidance for founders and small teams shooting themselves.
Where we deliver Infynix Media
Infynix Media in our other markets
Infynix Solutions is registered separately in India, the United Kingdom and the United Arab Emirates. This page covers United Kingdom. The same service, written for the other markets:
Infynix Media questions
Do you handle full video production?
Yes, we handle planning, scripting, filming, editing, and final delivery.
Do you shoot in the UK?
Not with our own crews, and we say so. We arrange vetted local photographers and videographers, briefed by us with a shot list built for the edit, or we brief you on shooting with a phone. Our own production crews are in India and the UAE. Everything after the camera stops is ours.
How do we send footage and review cuts?
Through a shared workspace: you upload rushes, we return cuts as review links with timecoded comments, and approvals are recorded. Nothing needs to be in the same room.
What turnaround can we expect?
Social cutdowns in 48 hours, event recaps in three to five working days, corporate films in five to ten, motion graphics explainers in ten to fifteen, subtitle passes in a day. Retainer clients get priority.
Can you work white label for our agency?
Yes. We work under your brand, to your guidelines, invisible to your client, with NDAs signed before any account is discussed.
Do we get the project files?
Yes. Source media, project files, templates and the grade are organised and handed over in your name, so you are never locked to one editor.
Can you finish an edit someone else started?
Yes. We audit what exists, tell you honestly whether it is salvageable, and finish it if it is.
Do you handle music licensing?
Yes. Music is selected and licensed for the platforms and territories the film will run in, with the licences documented and handed over.
Is there a minimum commitment?
No. Single projects are welcome. Retainers exist for clients publishing weekly who want priority turnaround and a consistent editor.
Content, film and production
What Infynix Media delivers
Brand films, photography, motion graphics and short-form social content, produced in house.
- Photography & VideographyProfessional photography and videography services for UK brands, product shoots, corporate headshots, brand ca
- Short-Form & Social ContentHigh-impact short-form video content for Instagram Reels, TikTok, YouTube Shorts, and LinkedIn, produced and o
- Brand Films & CommercialsCinematic brand films and commercial video production for UK businesses, from concept and scripting through to
- Motion Graphics & AnimationProfessional motion graphics and animation for UK brands, explainer videos, animated logos, product demos, and
