Capability and factory films
Plant, process, certifications and capacity cut into films that win tenders and trade buyers.
Capability films, exhibition and product video, event edits and social content for Birmingham and the West Midlands, edited remotely by Infynix Media's UK post-production team from footage you shoot or we arrange.

Birmingham and the Black Country make things, and the businesses that make them are usually the last to have a film that shows it. A manufacturer in Tyseley or Aston has years of factory footage shot on phones. An exhibitor at the NEC has three days of stand footage from every show and nothing edited. A Jewellery Quarter brand has product photography and no product video. Agencies in Digbeth and the city centre shoot for all of them and run out of edit time.
Infynix Media edits video for Birmingham clients remotely from our UK post-production team, registered in Dagenham. Editing, colour grading, sound design, subtitles, motion graphics and every platform version from one master, on a retainer or per project. We have no office in Birmingham; the work is remote, the turnaround is agreed in writing, and the finished files are delivered to your storage.
Where new footage is needed, we arrange it with trusted West Midlands crews and direct remotely, or produce in our own studios in India and the UAE where the brief suits. Factory, site and exhibition filming is planned with the client's safety and confidentiality rules in view, because a capability film has to show the work without showing what a customer or competitor should not see.
Manufacturers and engineering firms, exhibitors and event organisers, automotive and component suppliers, agencies, consumer brands, universities and the professional services firms of Colmore Row.
What the content has to do, and for whom, before a camera comes out.
Shot by our own team, on location, not assembled from stock.
Cut for the platform it will live on, in the language it will be watched in.
Published with paid amplification behind whatever performs.
Plant, process, certifications and capacity cut into films that win tenders and trade buyers.
NEC stand footage, product launches and conferences turned into highlights and sales content within days.
Component, machinery and consumer product video for websites, marketplaces and distributors.
Grades that survive a trade show screen and mixes to platform loudness standards.
English captions and translated subtitles for export markets, composed for each language.
Process diagrams, specifications, data and titles animated to your brand.
LinkedIn, YouTube, website, tablet for the sales team and exhibition screens from one master.
Crews in the West Midlands or production abroad, directed remotely, when footage does not exist.
One editor who learns your products, your plant and your standards.
Footage reviewed for what must not be shown before anything is cut.
Exhibition edits in days, capability films on an agreed schedule.
Comments on the frame through a shared link.
Subtitles and versions for the markets you sell into.
Music and usage rights documented with the delivery.
Title and caption systems for consistent in-house edits.
Masters, versions and projects in your storage.
| Edit | Typical turnaround |
|---|---|
| Exhibition highlights | 3 to 5 working days |
| Social clip or Reel | 2 to 4 working days |
| Capability or factory film edit | 2 to 4 weeks |
| Product video set | 1 to 3 weeks |
| Monthly social batch | 1 to 2 weeks |
| Translated versions | Add 3 to 5 working days per language |
| Archive project | Scoped per volume |
Capability films for tenders, trade buyers and export markets from factory footage.
Stand footage from the NEC and trade shows edited into sales content while the leads are warm.
Product and process video for OEM and tier supplier audiences.
White-label editing capacity for Digbeth and city centre agencies.
Product and campaign content cut into monthly social calendars.
Interview, research and recruitment films for LinkedIn and the website.
One film or batch scoped from the footage and the brief.
A fixed volume of edits each month with a named editor.
Turnaround capacity booked around your trade show calendar.
Editing with a shoot arranged in the West Midlands or produced abroad.
The manufacturers we edit for usually have the footage already: walkthroughs filmed for a customer visit, machine demos, drone passes over the site, a video from the last exhibition. What they lack is the structure a buyer needs, which is the plant, the process, the certifications, the capacity and the people, in that order, in under three minutes, on a phone in a procurement office.
We assess what exists, cut it into that structure with titles and graphics, script narration where it helps, fill the gaps with an arranged shoot only if necessary, and deliver versions for the website, LinkedIn, the sales tablet and the exhibition screen.
Years of shop-floor material turned into a film.
Plant, process, certifications, capacity, people.
An arranged shoot day where the footage does not exist.
Website, LinkedIn, tablet, exhibition.
The NEC and the trade show circuit generate three days of footage and a list of leads that go cold in a fortnight. The highlights film, the product demos and the interview clips are most valuable in the week after the show, when the sales team is following up and the audience remembers the stand.
We book turnaround capacity around the client's show calendar, receive footage as the show ends, and deliver highlights and sales clips within days, sized for LinkedIn, email and the website.
Capacity reserved for your shows.
Highlights and demos delivered while follow-up is live.
LinkedIn, email embeds and web versions.
Customer and partner soundbites cut individually.
West Midlands manufacturers sell across Europe, the Middle East and Asia, and a capability film that only exists in English is only half a sales tool. Translated subtitles composed for each language, with titles and graphics that handle longer strings and right-to-left scripts where needed, make one film work in every market.
We produce translated subtitle versions with native translators, compose them for each language's typography and reading speed, and deliver each as a complete version rather than an overlay on the English cut.
Not machine output pasted in.
Typography, line length and timing handled.
Arabic and other scripts laid out correctly.
Each language delivered as its own master.
We have no office in Birmingham. Our UK company is registered in Dagenham and the post-production team works remotely. For editing that changes nothing about the result: footage moves over a secure link, reviews happen on a shared timeline with time-coded notes, and the finished versions land in your storage.
Where a client wants a person present, for a plant walkthrough to plan a shoot or a campaign kick-off, we travel. For the ordinary run of edits, the remote process is faster than a meeting.
Remote post-production from the UK team.
Managed links for footage and delivery.
Notes on the frame, resolved in the next cut.
We travel for shoot planning and kick-offs.
Infynix Media's UK company is registered at 39 Becontree Avenue, Dagenham, and edits remotely for clients across Birmingham, Solihull, Coventry, Wolverhampton and the Black Country. There is no Birmingham office; meetings are on video as standard and in person for shoot planning and kick-offs.
The discovery call is free. Bring the factory footage and the next show date.

No. Our UK company is registered in Dagenham and the editing is done remotely by our post-production team. We travel for shoot planning, kick-offs and the meetings that need someone present.
We do not quote from a rate card. The footage, the brief and the versions needed establish the scope, and the proposal is a fixed price for a project or a monthly retainer for a fixed volume.
Yes. Most manufacturers have years of shop-floor footage. We structure it for buyers, add titles, graphics and narration, and arrange a shoot only for the gaps.
Highlights and sales clips within three to five working days of the show ending, with capacity booked around your calendar in advance.
Yes. Native translators, subtitles composed for each language's typography and reading speed, right-to-left scripts handled, and each language delivered as a complete version.
We arrange filming with trusted West Midlands crews and direct remotely, planned with your safety and confidentiality rules, or produce in our own studios abroad where the brief suits.
Yes. White-label editing capacity under your name, with your review process and brand standards, and project files delivered to your storage.
You do. Masters, versions and project files are delivered to your storage, with music and usage rights documented.
Yes. Footage is reviewed for what must not be shown before anything is cut, transfers and storage are secured, and access is limited to the editors on the project.
Yes. Process diagrams, cutaways, tolerances and assembly sequences are animated to your brand where a camera cannot show them, and combined with the live footage in the same film.
Yes. Title, caption and end-card templates in your brand are delivered with the first project so in-house staff and other suppliers stay consistent.
Tell us what you are trying to grow and we will tell you honestly whether we are the right people for it.
39 Becontree Avenue, Dagenham, Greater London RM8 2UH