Editing and post-production
Corporate, campaign, event, interview and social edits from your footage, cut for the purpose and the platform.
Editing, grading, sound and multi-platform delivery for Manchester brands and agencies, run remotely by Infynix Media's UK post-production team. You shoot, or we arrange the shoot; the edit is ours.

Manchester produces more footage than it publishes. Agencies around Ancoats and the Northern Quarter shoot for clients and run out of edit hours. Retail and D2C brands film product and behind-the-scenes content that sits on a drive. Universities, clubs, venues and the businesses in Spinningfields and MediaCity have events, interviews and campaigns captured and never cut. The bottleneck is almost always the edit.
Infynix Media edits video for Manchester clients remotely from our UK post-production team, registered in Dagenham. Editing, colour grading, sound design and mixing, subtitles, motion graphics and the full set of platform versions from one master, on a monthly retainer or per project. We do not have an office in Manchester and we do not pretend to: the work is remote, the turnaround is written down, and the files are yours.
Where footage needs to be shot, we arrange it with trusted crews in Manchester or produce it in our own studios in India and the UAE when the brief suits, and we direct remotely so one team owns the result. For most Manchester clients, though, the footage already exists. What they need is a reliable edit that lands on time and looks like their brand.
Agencies needing overflow capacity, retail and D2C brands, universities and colleges, sports clubs and venues, professional services firms, property developers and the in-house marketing teams that publish every week.
What the content has to do, and for whom, before a camera comes out.
Shot by our own team, on location, not assembled from stock.
Cut for the platform it will live on, in the language it will be watched in.
Published with paid amplification behind whatever performs.
Corporate, campaign, event, interview and social edits from your footage, cut for the purpose and the platform.
Consistent grades in your brand's look that hold up on a phone and a stadium screen alike.
Dialogue cleaned, music licensed, mixes delivered to platform loudness standards.
Accurate captions for silent viewing, burned in or as files, with accessibility versions where required.
Lower thirds, titles, data visualisation and animated identity built to your brand.
Every ratio and length for Instagram, TikTok, YouTube, LinkedIn, website and displays from one master.
Editing capacity under your name for the clients you serve, with your review process.
Crews in Manchester or production in our studios abroad, directed remotely, when footage does not exist.
One editor who learns your brand, your footage and your notes.
Social clips in days, longer films on an agreed schedule, revision rounds defined.
Comments on the frame through a shared link, not a chain of emails.
Phone, camera, drone, screen recordings and archive cut together cleanly.
Music licences and usage rights documented and delivered with the edit.
Advertising claims and depictions checked before delivery where content is promotional.
Title and caption systems delivered so in-house staff stay on brand.
Masters, versions and project files in your own storage.
| Edit | Typical turnaround |
|---|---|
| Social clip or Reel | 2 to 4 working days |
| Monthly batch of social content | 1 to 2 weeks |
| Corporate or campaign film edit | 2 to 4 weeks |
| Event highlights | 3 to 7 working days |
| Interview or testimonial series | 1 to 2 weeks |
| Product video set | 1 to 3 weeks |
| Archive project | Scoped per volume |
Overflow and white-label editing for creative and marketing agencies with more shoots than edit hours.
Product, campaign and behind-the-scenes content cut into monthly social calendars.
Open days, research stories, student content and graduation films from archives and new footage.
Matchday, event and partner content on the turnaround a fixture list demands.
Interview, thought leadership and recruitment films for LinkedIn and the website.
Development, venue and destination films cut for launches and bookings.
A fixed volume of edits each month with predictable turnaround and a named editor.
One film or batch scoped from the footage and the brief.
White-label capacity with your review process and your branding.
Editing with a shoot arranged in Manchester or produced in our studios abroad.
We have no office in Manchester. Our UK company is registered in Dagenham, and the editing is done by our post-production team working remotely. For editing that changes nothing: footage moves over a secure link, reviews happen on a shared timeline with time-coded comments, and the finished versions land in your storage. What it does change is cost, because you are not paying for a Manchester edit suite you never sit in.
Where a client wants a person in the room, for a pitch, a campaign kick-off or a complex review, we travel. For the ordinary run of edits, video calls and time-coded notes are faster than a trip across the city.
Remote post-production from the UK team.
Footage in, versions out, over a managed link.
Notes on the frame, resolved in the next cut.
We travel for the meetings that need it.
Manchester's creative and marketing agencies win work on ideas and shoots, then discover that the edit is where the margin goes. Freelancers are unavailable in the busy months, in-house editors are booked, and clients want cutdowns for six platforms by Friday.
We provide white-label editing capacity under the agency's name: a named editor, the agency's review process and brand standards, turnaround agreed per client, and project files delivered so the agency owns everything. The client never needs to know, unless the agency wants them to.
Under your name, to your standards.
Retained hours that survive the busy season.
We fit into how you already work.
Projects delivered to the agency's storage.
Brands and institutions that publish weekly cannot commission a shoot for every post. The economical model is a monthly editing retainer: send what was filmed, from events, products, interviews and phones, and receive a calendar of edited, captioned, platform-ready clips with the longer pieces cut alongside.
We plan the calendar with the marketing team, or with Infynix Agency where they run the channels, and top up the library with an arranged shoot day when it runs low.
Events, products, interviews, phones, archives.
Edited, captioned, sized for each platform.
Predictable output and turnaround.
Arranged in Manchester or produced abroad.
Most Manchester audiences watch on a phone with the sound off, so captions are not an accessibility extra, they are the primary way the message lands. Where content is promotional, the CAP code and ASA rulings apply to claims and depictions; where a client is a university or a public body, accessibility requirements apply to the video itself.
Every edit is delivered with accurate captions, accessibility versions where required, and a check of promotional claims before delivery, so the content publishes and stays published.
Accurate, styled, burned in or as files.
Subtitled and audio-described where required.
Promotional content reviewed against the CAP code.
Built to avoid takedowns and rulings.
Infynix Media's UK company is registered at 39 Becontree Avenue, Dagenham, and edits for clients across Manchester, Salford, Stockport and the wider region remotely. There is no Manchester office; meetings are on video as standard and in person when a project warrants it.
The discovery call is free. Bring the drive, the brand guidelines and the deadline.

No. Our UK company is registered in Dagenham and the editing is done remotely by our post-production team. We travel for the meetings that genuinely need someone in the room.
We do not quote from a rate card. The footage, the brief and the versions needed establish the scope, and the proposal is a fixed price for a project or a monthly retainer for a fixed volume of edits.
We arrange shoots with trusted Manchester crews and direct them remotely, or produce in our own studios in India and the UAE where the brief suits. Editing, grading, sound and delivery are always ours.
Social clips in two to four working days, event highlights within a week, corporate and campaign films in two to four weeks, with revision rounds defined in writing.
Yes. A named editor, your review process and brand standards, and project files delivered to your storage, under your name.
Yes. Phone footage is stabilised, corrected and cut with titles, captions and sound so it publishes cleanly, and we say honestly when something needs reshooting.
Yes. Accurate captions are standard, and subtitled or audio-described versions are produced where a client's obligations or platform require them.
You do. Masters, versions and project files are delivered to your own storage, and usage rights for music and stock are documented.
Through Infynix Agency, yes. Many clients have editing and distribution planned together so content is cut for the campaign it will run in.
Tell us what you are trying to grow and we will tell you honestly whether we are the right people for it.
39 Becontree Avenue, Dagenham, Greater London RM8 2UH